Wednesday, February 28, 2007
Farah Jasmine Griffin: Visionary Tendencies
for Farah Jasmine Griffin
it could be
that bright paper
intentional folds
and stolen staples
are deceptively long term
propellers that
wing awake in our chests
it could be
that sound has its own
sweepstake calculus
that listening is the prize
when our eyes
close
it could be
that teaching is a faith
in rebirth
not through a doctrine
of more selves
but in rays of growth
frames of reflection
and
it could be
that I had
already known
all of these things
somehow
but it is
necessary
to say it
it is crucial
to say
that the first time
i heard
and recognized
each of those
truths
it was you
who was speaking
Ileana Mendez-Penate: Relational
for Ily
they say
that the poet
writes only of herself
reflected back
in moments of watching
how much more true then
when the one beheld
is related
through intentional
alignments
made coincident
in institutional predicaments
of discovery and costume
you have
made believable
a practice
of expression
where every possibility
has a landing
of embrace
you justify
a refashioning a faith
that even i
could make sense
or be clothed
or even maybe
live
as myself
Paula Ximena Rojas-Urrutia: Acrobatic Doula
for Paula
if every word ended
with the letter "a"
(or at least all the
important ones)
i might assume
that it had been
by your design
i imagine
that its part
of your strategy
to leave us
with our mouths open
facing each other
or maybe part of the plan
is to make us
more likely to exhale
ready to let go
the knowledge
that keeps our faces
closed
because a sigh
is not a scream
is not an
incantatory
aria
but you may already believe
that how we say
will be various
so i think
you have made
and earned
and required
a choir
where love
sounds like
la
***************
See the beautiful work of SistaIISista (an organization that Paula helped to found)
Deborah Small: Break the Chains
for Deborah
like rubber-souled
stairsteps
or gavels with ridges
your voice builds
platforms
thick enough
for rollerskates
and in rhythm
with the last sigh
of the first bus home
your hand pulls
the seal
off the waiting punch-line
for the joke we're living
as a curled up
surprise for a
world in the wings
and a secret passageway
to the part of the story
when all the walls fall down
so
i know what happens
when a link bursts open
and steel reveals
its internal edges
i can see
the mosaic
of rubble painted clear
so I know what it means
the Deborah is here
every break
every chip
every slip
and mistake
gets a new life
and smoothed space
to grow
****************
Learn more about Deborah's organization Break the Chains (
Monica Miller: (Not) A Moment of Arrival
for Monica Miller
imagine landing
through some accidental decisions
on a ground of blossoms
dispersed upward in peals
or try
pushing yourself forward
finding that doorways
have names and gifts
that unstring
the need for striving
or maybe
there is a sharp
upward note
asymptote of conclusion
that when projected
with a hand to frame
wins everything
before wanting
what i mean to say is
when i wrote this
i was sitting
in the place i sat
at the moment
i decided
to go to the school
where i never knew
i would meet you
so therefore
miracles
are
Aurelia Sands Belle: Durham Crisis Response Center
i think your
voice box must be
a sand dollar
thin solid patterns
impressions
openings
fluting your name
in chorus
so when i think
of your desk
i think it should be
somehow coastal
strung with chimes
out of doors
and always spring
but even i
don't expect this
to be true
so my second place vison
(no contest)
for your seat of influence
is through a door
which leads through
another door
which lads to a room
with a small window
and unchosen orange
and leather worn from
various listenings
it occurs to me
that every building
is inadequate
to the delicacy
of your work
and no hourglass
contains the urgency
of your days
and no existing outfit
is appropriate to your task
or even my imagination
blown as it is into
stained glass visions
of guessing
cannot do (you) justice
****************
Durham Crisis Response Center
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